Kamis, 28 November 2013

The Man From U.n.c.l.e. Peliculas Completas

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Henry Cavill ("Man of Steel") stars as Napoleon Solo opposite Armie Hammer ("The Social Network") as Illya Kuryakin in director Guy Ritchie's "The Man from U.N.C.L.E.," a fresh take on the hugely popular 1960s television series. Set against the backdrop of the early 1960s, at the height of the Cold War, "The Man from U.N.C.L.E." centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo's only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe. "The Man from U.N.C.L.E" also stars Alicia Vikander ("Anna Karenina"), Elizabeth Debicki ("The Great Gatsby"), with Jared Harris ("Sherlock Holmes: Game of Shadows"), and Hugh Grant as Waverly. The screenplay was written by Guy Ritchie & Lionel Wigram, who previously collaborated on re-imagining the classic detective Sherlock Holmes in two hit films. The story is by Jeff Kleeman & David Campbell Wilson and Guy Ritchie & Lionel Wigram, based on the television series "The Man from U.N.C.L.E." John Davis ("Chronicle"), Steve Clark-Hall ("RocknRolla," the "Sherlock Holmes" films), Wigram and Ritchie produced the film, with David Dobkin serving as executive producer. Ritchie's behind-the-scenes creative team included two-time Oscar (R)-nominated director of photography John Mathieson ("The Phantom of the Opera," "Gladiator"), production designer Oliver Scholl ("Jumper," "Edge of Tomorrow"), editor James Herbert (the "Sherlock Holmes" films, "Edge of Tomorrow"), and Oscar (R)-nominated costume designer Joanna Johnston ("Lincoln"). The music is composed by Daniel Pemberton ("The Counselor").(c) Warner Bros

About The Man From U.n.c.l.e.

Artist : Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Luca Calvani
As : Solo, Illya, Gaby, Victoria, Alexander
Title : The Man From U.n.c.l.e. Peliculas Completas
Release date : 2015-08-14
Movie Code : 1638355
Duration : 116
Category : Action, Adventure, Comedy

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Comment For The Man From U.n.c.l.e. Cinema Devoto

Name : Richard Roeper / Alias : Chicago Sun-Times
The Man from U.N.C.L.E. plays like a lower key, vintage edition of a Mission: Impossible movie. It's a good movie with a great look.

Name : Rafer Guzman / Alias : Newsday
Not an update of the old TV show but a revival, with dazzling sets, period outfits and wonderfully implausible action. It's an Atomic Age blast.

Name : Chris Klimek / Alias : NPR
What substance it has could be dissolved in a shot glass. But so what?

Name : James Berardinelli / Alias : ReelViews
This is one of those rare instances when a sequel wouldn't just be warranted - it would be welcomed.

Name : Lindsey Bahr / Alias : Associated Press
Alas, the movie doesn't fulfil the tease of the opening sequence. From there it devolves into a series of revelations with diminishing returns.

Name : J. R. Jones / Alias : Chicago Reader
Whose idea was it to make a cold war thriller for a generation that doesn't know what the cold war was?

Name : Bill Goodykoontz / Alias : Arizona Republic
It almost works. Actually, it does work, hitting the requisite number of hip notes. It just doesn't dazzle, and that's kind of a surprise.

Name : Peter Debruge / Alias : Variety
An unusually restrained Guy Ritchie serves up solid entertainment with a classy touch, but bland leads and no-sizzle chemistry make this slick '60s TV adaptation forgettable.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Holding out for a fun summer film? Resist no longer. Just say "U.N.C.L.E."

Name : Steven Rea / Alias : Philadelphia Inquirer
A lot of energy and effort has gone into this endeavor, and I can't say some of it's not fun. But more of it, alas, is just tedious.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
This is a movie whose charm sneaks up on you, like a spy in the night.

Name : Nathalie Atkinson / Alias : Globe and Mail
Mesmerizing and clever, but more style than substance.

Name : Alonso Duralde / Alias : TheWrap
With brisk pacing, and a cast this attractive parading the kinds of fashions that will remind you how much you miss Mad Men, most of the movie boasts a Mod crispness.

Name : Kyle Smith / Alias : New York Post
Cavill's Solo, and the movie, are aggressively quippy, which is what happens when screenwriters set out to be funny but give up when they're halfway there.

Name : Stephanie Zacharek / Alias : Village Voice
Though it's made with lots of modern tricks and technology, it's old-fashioned in the best sense, and not just because it's set in the Sixties.

Name : Ty Burr / Alias : Boston Globe
"Man" is a celebration of a time when secret agents dressed impeccably, bantered with style, and had exceptionally cool toys. That the movie is almost instantly forgettable is part of the pleasure.

Name : Dave Calhoun / Alias : Time Out
U.N.C.L.E. has enough style and smarts to make it an amusingly louche summer movie: a cultivated mix of action and wit, suits and cities.

Name : Michael Phillips / Alias : Chicago Tribune
Composer Daniel Pemberton's evocations of early '60s "danger" music respect the period, which is more than can be said for Ritchie's hatchet-style of staging and editing.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Ritchie is a director with no instinct for the audience, and he can't hold things together for an entire film. He seems at a loss, from moment to moment, as to what he should emphasize.

Name : Peter Travers / Alias : Rolling Stone
a moldy 1960s TV series that comes to the screen with no Mission: Impossible update or makeover. That's right - it's still moldy. But in a way that's escapist, retro fun.

Name : Jesse Hassenger / Alias : AV Club
The Man From U.N.C.L.E. feels fun even when it lacks a particular reason for existing.

Name : Todd McCarthy / Alias : Hollywood Reporter
It's not bad but not quite good enough either.

Name : Michael O'Sullivan / Alias : Washington Post
The threat that this mess of a movie might be followed by a sequel is enough to make anyone cry uncle.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's breezy and elegant - so breezily elegant it can make you laugh out loud from frame to frame.

Name : Manohla Dargis / Alias : New York Times
Guy Ritchie makes the kind of enjoyably disreputable movies that are fun to watch until they're not.

Name : Soren Anderson / Alias : Seattle Times
The picture is quite clever and light on its feet.

Name : Brian Truitt / Alias : USA Today
The Cold War returns full force on the big screen, though by the end of The Man from U.N.C.L.E., you might want to put it back in the fridge.

Name : Peter Howell / Alias : Toronto Star
This is like an Austin Powers movie directed by Wes Anderson, although Ritchie's personal style is very much in evidence.

Name : Anthony Lane / Alias : New Yorker
As for Cavill, let us just say that the line between phlegmatic suavity and downright dullness is rather more easily breached than the Berlin Wall.

Name : Joe Neumaier / Alias : New York Daily News
It's slow, lethargic, utterly lacking in charm and undeserving of the Cold War setting that is its best trait.

Name : Michael Granberry / Alias : Dallas Morning News
It's got all the ingredients - improbable romances, partial nudity, ridiculous escapes - that make it little more than big-sound and big-picture fodder for the Imax screens it will appear on throughout the country.

Name : Adam Graham / Alias : Detroit News
While it looks good - Ritchie has always been a slick visual stylist - it's ultimately as passive as an old rerun.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Long on style but short on substance, Guy Ritchie's ring-a-ding-ding Cold War spy thriller attempts to resurrect a mothballed '60s TV series the way that Mission: Impossible did. It doesn't work this time.

Name : Wesley Morris / Alias : Grantland
Exactly no one was asking for this. So it's a surprise to discover that the bar for this movie is low enough to conga under.

Name : Mark Olsen / Alias : Los Angeles Times
It all winds up feeling hollow and even slightly oppressive, an enforced sense of fun jabbed within quotation marks. It aims for a silky lightness of touch but lands like a dropped slab of concrete.

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Sabtu, 23 November 2013

Mother's Day Full Movie 2016 English

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Intersecting stories with different moms collide on Mother's Day.

About Mother's Day

Artist : Julia Roberts, Jason Sudeikis, Jennifer Aniston, Kate Hudson, Britt Robertson
As : Miranda, Bradley, Sandy, Jesse, Kristin
Title : Mother's Day Full Movie 2016 English
Release date : 2016-04-29
Movie Code : 1434435
Duration : 120
Category : Comedy

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Comment For Mother's Day Film Entier Streaming Complet

Name : Trevor Johnston / Alias : Time Out
Excruciatingly misguided.

Name : Jon Frosch / Alias : Hollywood Reporter
A movie not even a mother could love.

Name : Glenn Kenny / Alias : New York Times
There are laughs, albeit inadvertent; the biggest comes courtesy of the production's no-doubt overworked sound department, when Ms. Robertson utters "I have abandonment issues" without moving her mouth.

Name : Jen Chaney / Alias : Washington Post
When Aniston's character casually mentions Groundhog Day and Flag Day in conversation, I immediately thought to myself, "Be quiet, you, or Garry Marshall will get even more bad ideas."

Name : Alonso Duralde / Alias : TheWrap
Too innocuous to inspire actual rage yet too utterly tepid and bland to elicit a single laugh.

Name : Nick Pinkerton / Alias : Village Voice
Mother's Day is distinguished, at least, by De Mornay's porcelain-smile lampoon of castigating matriarchy.

Name : Richard Roeper / Alias : Chicago Sun-Times
Like just about everything else in Mother's Day, the nod to the earlier movies are clumsy and pointless and obvious.

Name : Christy Lemire / Alias : Associated Press
Notable for a chilling lead performance from Rebecca De Mornay and not much else.

Name : Charles Gant / Alias : Variety
Undistinguished apart from Rebecca De Mornay's performance as an unhinged mama.

Name : Sara Stewart / Alias : New York Post
The cinematic equivalent of a paper plate with macaroni and glitter haphazardly glued onto it, "Mother's Day" is a film only its creators could love (and even they must be having some misgivings).

Name : Moira MacDonald / Alias : Seattle Times
A two-hour movie so forgettable that I'm not convinced it actually exists.

Name : Robert Abele / Alias : Los Angeles Times
The ready crackle of [De Mornay's] studiously demonic performance brings welcome distraction from this otherwise crude litany of torture and wretched death.

Name : Molly Eichel / Alias : Philadelphia Inquirer
The problem with this type of movie is ingrained in the structure: There's so much going on that there's no time to build characters that make sense or any sort of meaningful relationships.

Name : Jim Slotek / Alias : Toronto Sun
Mother's Day seems more like a contractual commitment than a creative exercise.

Name : Peter Keough / Alias : Boston Globe
It's like a nightmare in which you are trapped in an endless Kmart aisle of horrible holiday cards.

Name : Joe Morgenstern / Alias : Wall Street Journal
You can survive this comedy, which was directed by Garry Marshall and written by too many people to shame by naming, but only if you're immune to febrile calculation complicated by chronic ineptitude.

Name : Andrew Barker / Alias : Variety
Atrociously written, begrudgingly acted, haphazardly assembled and never more backward than when it thinks it's being progressive .

Name : Randy Cordova / Alias : Arizona Republic
Sure, you'll forget all about it a week after you've seen it, but it's mostly pleasant and occasionally touching, even though it's a lot closer to an episode of "The Love Boat" than "Love Actually."

Name : Jeannette Catsoulis / Alias : New York Times
Stuffed with secrets and characters who can't wait to betray one another, the film offers no one to root for except Mother, whose perverted family values at least remain consistent.

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