
Alex Garland, writer of 28 Days Later and Sunshine, makes his directorial debut with the stylish and cerebral thriller, EX MACHINA. Caleb Smith (Domhnall Gleeson), a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company's brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test-charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan's latest experiment in artificial intelligence. That experiment is Ava (Alicia Vikander), a breathtaking A.I. whose emotional intelligence proves more sophisticated-and more deceptive-than the two men could have imagined. (C) A24
About Ex Machina
Artist : Domhnall Gleeson, Corey Johnson, Oscar Isaac, Alicia Vikander, Sonoya Mizuno, Symara A Templeman, Elina AlminasAs : Caleb, Jay, Nathan, Ava, Kyoko, Lily, Jasmine, Jade, Katya, Amber
Title : Kijken Naar Ex Machina Online
Release date : 2015-04-24
Movie Code : 0470752
Duration : 108
Category : Drama, Sci Fi, Technology
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[A] methodically absorbing sci-fi drama.
In the final analysis, the movie doesn't offer much about the subject that hasn't been previously explored, but the soil is fertile and many ideas germinate.
Make no mistake, this is a film of ideas-sadder, quieter, more delicate than the Hollywood sci-fi standard-where every sliding wall of opaque glass suggests something about technology and the way people would use it.
Like stage actors who live and breathe their roles over the course of months, Isaac, Gleeson, and Vikander excel, and cast a spell.
The year's most seductive high-IQ drama.
It's the film version of an iPhone: small, expensive-looking and a touch overhyped - plus an addictive sales pitch for whatever Garland makes next.
The writer and director, Alex Garland, keeps the movie so full of doomy atmosphere that expecting the worst sort of becomes a treat. But gradually the hypnosis wears off, the mystique dissipates, and banalities take over.
"Ex Machina" shows there's still life left in tales of artificial intelligence.
Garland's long-anticipated directorial debut synthesizes a dizzy range of the writer's philosophical preoccupations into a sleek, spare chamber piece .
It's hard to imagine another director squeezing as many shades and colors from his screenplay as Garland did, and from now on, it would be understandable if he insisted on directing everything he writes.
Shrewdly imagined and persuasively made, "Ex Machina" is a spooky piece of speculative fiction that's completely plausible, capable of both thinking big thoughts and providing pulp thrills.
By going deep on a simple construct, Ex Machina establishes itself as a unique and deeply unsettling psychological thriller that's both necessary and unforgettable.
"Ex Machina" is a tense tale of artificial love so intelligently crafted and edgy that I adored it myself.
Alex Garland brilliantly brings the past into the present with the near-future tale Ex Machina, a stark but dazzling meditation on intelligence, consciousness and morality that discreetly uses special effects in service of story, dialogue and character.
For a first-time director, Garland seems assured. His sharp, sparse dialogue and meticulous direction are equally compelling, and the trio of lead performances are top-notch.
With a stellar cast and seductive look, "Ex Machina" is a sleek contraption for capturing our imagination.
While Mr. Garland wants to tease your brain, he's an entertainer, and in time ditches science and philosophy for romance and action.
Reasonably diverting until its predictable (and predictably misogynistic) outcome.
It doesn't quite add up in the end, but it's heady stuff anyway, dense with moments of shivery beauty and frightening ideas.
Garland sidles up to some large ideas, some more provocative than others, and his premise hints at the costs of perpetual, omnivorous surveillance.
Clever novelist and screenwriter Alex Garland makes a half-dandy directorial debut with Ex Machina, a sci-fi film that - like much of his work - fakes excitingly in the direction of breaking new ground before turning formulaic so fast.
The Swedish actress Alicia Vikander ("The Fifth Estate") infuses Ava with the just the right mixture of iciness, vulnerability and mystery. It's a star-making performance.
A bit more intelligence would not have gone amiss.
"Ex Machina" takes its time, wrestling with questions of responsibility, morality and compassion while getting ever weirder. At its heart is Ava, played with a fine blend of innocence and quiet panic by Vikander.
"Ex Machina," despite the stutters, slowly finds its grip and starts to squeeze.
A chilly yet engrossing drama, elevated beyond its four-people-locked-in-a-house framework by the eerie beauty of the production design and the thoughtful curiosity of Garland's screenplay.
A clever film with one indelible performance from Isaac.
"Ex Machina" is an exquisite puzzle box of a picture. It baffles. It unsettles. It intrigues.
It's great when a movie messes with your head.
Ex Machina is the best movie I've seen all year.
Ex Machina is beautiful and ominous and features another delicately nuanced performance from Isaac, who's quickly making a habit of them. But in the end, for all of Garland's ambition, his reach winds up exceeding his grasp.
"Ex Machina" isn't quite "Citizen Kane" for an era of Internet tycoons, but it suggests that that's not such a bad idea.
"Ex Machina" is a smart, exceptionally stylish head trip.
I know, I know. You've seen all this A.I. stuff before. But never like this. Garland is hot for ethical shop talk on what defines humanity or lack of same.
Although "Ex Machina" is small and talky - it has just four characters, and the only action comes at the end - it also looks good. The set direction is interesting and evocative. The effects impress but don't overwhelm.
Its aura of cool menace is largely attributable to Isaac, stealing his every scene as the smoothly bullying CEO, and production designer Mark Digby, who created the millionaire's sleek, high-tech mountain fortress.
Sizzlingly smart and agreeably sententious, Mr. Garland's film transcends some all-too-human imperfections with gorgeous images, astute writing and memorably strong performances.
Garland's primary concern is his flesh-and-blood characters, even though they are not nearly as showy (or beautiful) as his main attraction, the vulnerable, delicate girl with a heart of steel and wires.
A neat psychological thriller for the digital age. Great performances compensate for a slightly slim story.
Ex Machina packs a scientist's brain inside a thrill seeker's body, much like the nubile robot within it.
For dystopian future-shock fans who can look beyond its basic design flaws, Garland's feature debut functions just fine as superior pulp sci-fi.
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